Wednesday, 23 April 2014

Global and National Market Place (Film)

  • Box office mojo, digital screen network
  • BFI.org - statistical yearbook '13, first few pages

  • Does my case study use cross media convergence
  • How did they film it
  • How is it shown
  • How is technology used
  • How is it appealing to a British audience
  • What are my own experiences of consuming a film

  • 36% of cinema-goers are over 45, highest it's ever been
  • Films are starting to appeal to an older demographic
  • Younger people tend to download films online instead of going to the cinema
  • People aged 15-24 going to the cinema has fallen to 25%
  • British films aren't having as much impact as American ones
  • UK film share - 15% (we have to rely on UK film council)
  • Video on demand - netflix, lovefilm - lowering probability of people going to cinema
  • UK cinema admissions - 172.5m - highest figures in the last 40 years
  • Still competing against USA
  • Skyfall was the biggest earner
  • Tyrannosaur - UK film (Warp)

  • Example - This is England
  • Usual genre for British films - social realism - British New Wave 1960's
  • Regarded Britains richest gift to world
  • British films tend to have the realism, but are more creative and have more of a message
  • Lighting and setting contribute to 'gritty' look, as well as handheld cameras and unknown actors
  • British films need to include British stereotypes to have them be popular in the US (eg, James Bond)
  • Showing them the genuine 'This is England' side of us puts them off

  • Marketability - appeal to an audience based on creative elements
  • Playability - appeal to an audience over a long period of time

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